Description:

In under two months, I will be teaching myself the tradition and style of henna tattoos, something that I've been minimally exposed to until now. I'll be regularly posting my progress and accomplishments here, and welcome any questions, feedback, or advice in the comments!

Thursday, March 23, 2017

Final Strech + Vlog (5)

Final Stretch

     As we near the end of the Genius Project, I'm getting more and more satisfied with my henna. The people I've been practicing with have said that they get a lot of compliments on the designs, and it's really helped boost my confidence. My goal now is to take the art and make it my own with symbols from around the world. For my final goals, I've changed my requirements for myself a bit. Originally, I planned my goals based on which part of the body the henna was on, but since I've only been able to practice on hands, and I've developed a taste of all the different kinds of henna there are, I've reconsidered. Now, I'm going to look at the content of the designs instead of the placement (and of course their quality). Here are my new goals, keeping in mind my experience and research over the past month (and a half?):
  1. A design that is completely freehanded, in more common styles (Indian, Arabic, Mughlai)  
  2. A design that incorporates symbolic meaning and motif
  3. A design in a Pakistani or Moroccan style (more geometric designs than flowing)
  4. One extra design I really love

Vlog


P.S. (Interview)

     So, in my blog post "Consulting a Professional," I included quotes from an email exchange I had with Ms. Neha Assar, a professional henna artist, as well as links to her website. In case you wanted to see all the information we discussed, you can see screenshots of our conversation here.

Wednesday, March 15, 2017

Practice, Practice, Practice (4)

It's Time to Crack Down!

     I think that I've got a pretty good hold on the concepts of using and designing henna, so now it's just a matter of practicing it until it looks really good. I asked my mom to help me find her old tripod in the attic, and I dusted it off and got to work. I had a few issues with the battery in my camera dying, so not all of the designs are complete from start to finish, but I hope they're at least a good indicator of what I've been up to.

So Far...



Some Random Notes:

     After doing the sea turtle design on my left palm, I had a volleyball tournament. When you line up at the net before serve, you're supposed to stand with your palms toward the net. While I was standing there, a girl from the other team stopped and told me she liked my henna, which caught me off guard, but really helped my confidence in my developing skills.
     I've also found that while the thinner tip is easier to apply henna with, it makes it much harder to peel it all off. (Sorry, people who I have henna-ed. I really don't mean to inconvenience you.)
     And also, thank you to everyone who has volunteered to be guinea pigs during my self-training of mehndi art! I really appreciate you letting me use your skin as canvases (even though it sounds really weird when I put it like that...).

Time Log:

Practice: 2 hours 30 minutes
Sorry, no research this time! I'm really trying to refine my technique in these last few weeks.

Sunday, March 5, 2017

Sharpies, Small Steps, and Setbacks (3)

Sharpie Practice

Alright, so I've finally completed a few more designs with my henna paste. But before that, I realized a few major downfalls to all my previous "practices" on paper hands. 1) They were all done in pencil or pen, neither of which are wide enough to properly represent the gooey mehndi paste, and 2) they didn't fill up all the available space like true henna would. To compensate, I grabbed a few sheets of scrap paper and some sharpies and got to work. I did my best to fill the entire page, corner to corner, just like Assar told me she had done as a child. The results?

     I don't think they're half-bad, but I'm prejudiced.

     In addition to my Sharpie drawings, I've also done a bit more real henna on some classmates. (Thanks for letting this amateur tattoo you!) From a simple smiley face to altered replicas of former sketches, I got a bit more comfortable working with the gel. My main issue at the moment is that the first time I cut open the cone, I made the opening too large, so I can't do any truly intricate designs. Fortunately, I'm almost done with my first cone, so I'll be able to cut a smaller opening in my next one (hopefully!).

Practical Setbacks

     Unfortunately, I haven't had a lot of time to be working on my henna (studying for my permit test!!!!!), so my progress has been fairly slow this week. I'm also still kind of bad at manipulating the gel on skin, and my hand is always shaking because I'm trying to squeeze out the paste while moving it. I hope to get some real henna when I've run out of the stuff I bought on Amazon, but given my current rate, that won't be for a few months. The stuff I have stains and smells nothing like real henna (I've been told), and I would like the full experience of mixing the powder and using the true plant for the designs. This blog, however, will probably not see that come to pass.

     I've also been unable to film more of my tattooing and drawing because of my lack of a tripod. My previous video was recorded via camera, chair, and lots of Scotch tape, which is a method I find time-consuming and wasteful. I'll be looking for a better solution over this week.

Research

     My research this week focused mainly on the different styles of henna. I started to get curious after answering a question from Naomi on my previous post about the origins of henna. I knew what it was used for, but it must have varied from place to place, as it was found and used in a wide span of countries. Several websites have helped me clear up the different kinds of henna. Here's what I found: 

Indian

  • Very little space in between designs
  • Intricate flower-, leaf-, curl-, and feather-type designs
  • Dots and curvy lines
  • Fills the entire area

Arabic 

  • Thick lines with more space between designs
  • Decorative, doesn't completely fill a space
  • Outlines of flowers, leaves, and some swirls
  • Dark and simplistic

Pakistani

  • More geometric designs than Indian and Arabic henna (a pleasant surprise: it fits my doodling style closer to other henna I'd seen)
  • Also includes flowers and paisley designs
  • Mix of more intricate designs and thicker lines

Indo-Arabic

  • Thick Arabic-styled lines are filled in with intricate Indian-styled designs
  • Could fill in an entire space or just a portion 
  • Very popular at Indian weddings 

Moroccan 

  • Very geometrically based 
  • Almost no flowers / vines / leaves / animals 
  • Dark, solid prints that cover large areas 

Mughlai 

  • Very thin, detailed lines with a lot of shading 
  • Space left in between designs accents dots and curls 
  • Covers larger areas 
  • Uses flower and vine patterns 
  • Oldest form of henna 

Western Fashion 

  • Uses a combination of the above styles, mostly Mughlai, Indian, and Arabic 
  • May incorporate different colors of mehndi (artificially colored) 
  • May incorporate glitter or sequins into the design 

     Main source (includes pictures of all styles): indiaopines.com/mehendi-designs/ 

Time Log: (I'm sorry, it's so pathetic this week...) 

Time spent practicing: 2 hours 
Time spent researching: 45 minutes
Total time: 2 hours 45 minutes